SEX and the CITY Movie Spoiler alert! (Courtesy of the NY Post and other combined sources from around town)….Continuing to read this will tell you far more about the new movie than has been told anywhere else. "Everything is bigger," says an insider. "There's more extras, more locations and the locations are more fabulous. No one shoots inside St. Patrick’s Cathedral or New York Public Library but Sex and the City shot in both places…as well as a LOT of places off limits to other productions. Last year, the production requested shooting permits for no fewer than 45 separate locations between August and December.
According to the Mayor’s Office of Film, Sex & the City filming locations ranged from hidden, out of the way spots to Lenox Hill Hospital, the offices of Vogue, Junior's in Brooklyn, Bemelman’s Bar in The Carlyle Hotel, Bryant Park, the Duke-Semans Mansion on Fifth Ave. across from the Met, trendy restaurants like Lumi and Buddakhan in the Meatpacking District, various glamorous locations in midtown and the Upper Eastside, Flatiron District, Times Square, Rock Center, the Village, SoHo and TriBeca. Also a clifftop villa in Mexico is used in one important scene where Carrie tosses her bejeweled cellphone off the cliff into the ocean.
Fashion used includes: Oscar de la Renta, Chanel, Versace, YSL, Ferragamo, Zac Posen, Dior, Cynthia Rowley, Marc Jacobs, etc.) LOTS of bling (every day the girls wore real jewels estimated at $2.5 million, from deals made with Tiffany, H. Stern and other top jewelers).
Mayor Michael Bloomberg and other famous New York faces have cameos—Oscar winner Jennifer Hudson, plays Louise, Carrie's assistant, who is a “label queen” and looking for love.
The plot: Carrie and Big (Chris Noth), get engaged, Samantha (Kim Cattrall) has moved to a Malibu beach house(which makes for lots of fun sex in the sand shots), Charlotte (Kristin Davis) and Harry (Evan Handler) get pregnant, and Miranda (Cynthia Nixon) and Steve (David Eigenberg) grapple with infidelity. The movie starts with Fashion Week (with a re-built tent in Bryant Park), and gets “bigger” from there. Mr. Big’s full name, we discover, is John James Preston.
One of the new characters is Dante, a sexy young LA stud in his 30s who lives next door to Samantha, distracting her from her movie-star boyfriend Smith (Jason Lewis), whose career is now hot. Dante, apparently is the male version of Samantha…watch out!
Carrie’s wedding goes up in smoke and sources say that Carrie makes bitterly funny comments about her wedding gown to her friends….she calls it the perfect thing to be "jilted" in. Perhaps, she says, people have seen her in Vogue, where they may be able to touch up "pores" but not "pain."
Carrie’s failed wedding, Samantha’s sex with the neighbor, Charlotte's pregnancy and Miranda's marital woes provide key dramatic plot points.
Also, Carrie tells Samantha at one point she's completely revamping her life, right down to her cellphone area code. She's now "347," she complains (referring to the new, additional cellphone area code). Samantha tries to comfort her with a reminder that 347 is "the new New York."
In one scene, the four friends sit drinking Cosmopolitans. Charlotte remarks on how delicious they are. Miranda then wonders why they ever stopped drinking them in the first place. Carrie responds sharply, they had to after the rest of the world started.
Miranda catches Steve in marital infidelity, prompting her to move back to Manhattan from their Brooklyn home in Park Slope. One particularly moving scene is when Miranda breaks the news of her marital issues with Steve to his dementia-stricken mother. When she tries to explain the situation, his mother (Anne Meara) asks, "Who's Steve?" Carrie then does a classic, irony-drenched "SATC" voice-over, quipping that her friend is starting to see the positive side of Alzheimer's.
As Samantha and the girls leave a Fashion Week tent, a PETA activist jumps out of nowhere, spraying her with red paint. "God," Samantha wryly says after a beat, "I miss New York!"
Showing posts with label rich famous tour. Show all posts
Showing posts with label rich famous tour. Show all posts
Monday, April 14, 2008
Wednesday, February 20, 2008
Harvey Fierstein "Conversation" at Zipper Theatre
Attended "A Conversation with Harvey Fierstein" last night at the Zipper Theatre on W. 37th St. sponsored by The American Theatre Wing (the Tony Award folks) of whom I've been a member for years but never get a lot out of my membership except for the occasional celebrity-laden cocktail party. Last night the numbers must have been down for this event...probably less than 100 people showed up, including a few theatre celebrities and bold-face names from the columns. You could tell how many people were no-shows by the enormous number of name tags left on the check-in table.
As soon as I entered I ran into Pia Lindstrom, and across the empty room I saw Harvey Fierstein hanging up his coat. Pia, who always looks fabulous, is on the membership services committee at the Wing, along with Barbara Toy and others. She said the Wing is perceived by many young theatre people as being full of an older, moneyed crowd but that they want to do more outreach to the members, the Off Broadway community, and younger theatre-goers. Informal events with major theatre personalities like Fierstein is part of that outreach. No matter how often I meet celebrities such as Pia, I always remain calm and collected on the outside, but on the inside I'm screaming "OH MY GOD, YOU'RE INGRID BERGMAN'S DAUGHTER!!!!!!"
During the 5:30-6:30pm cocktail hour I chatted with legend Marian Seldes who grabbed me and hugged me after I told her I had seen her for years in everything since DEATHTRAP as well as theatre events and parties, but had been too intimidated to say anything because I didn't want to come off as a "silly fan." She looked at me with a piercing stare, smiled, hugged me and said: "Nonsense...now we are friends...and colleagues!" Such a lovely woman...and still the total pro as she turns 80 this coming August!
I was button-holed momentarily by an elderly queen I knew years ago (and he was boring then) who immediately tried to monopolize me and tell me about the last 20 years. Not meaning to be rude, I simply said "Arthur, darling, I have people to meet! We'll catch up later!" I chatted with a couple of actors and producers and one of them, a major name, said she lived at 88 Central Park West..."Oh," I said..." that's where Lorne Michaels, Sting and Celeste Holm live and didn't Robert DeNiro just move in there?"
"Oh my," she said, "You really know your stuff! Actually we're not supposed to talk about DeNiro being there...the co-op board has informed all tenants to ignore his presence. He abandoned Tri-Beca apparently for Central Park West! But interestingly, DeNiro gets his mail under an assumed name...just like Garbo used to! If a visitor asks the doorman for DeNiro, or if a delivery comes for DeNiro, the doorman is instructed to say he doesn't live there! Totally crazy! The building is full of celebrities and we don't pull that nonsense! Didn't Garbo pull that too?"
After cocktails, we went into the Q&A with Harvey Fierstein and even though the evening was officially called: "A conversation with Harvey Fierstein" they could have re-named it: Harvey Fierstein does non-stop promotion for his new show A Catered Affair. All he did was talk about the show and its journey from film to San Diego's Old Globe Theatre to Broadway. He mentioned Debbie Reynolds (the girl in the film) was present opening night in San Diego and gave the show her blessing.
It was obvious they were trying to control the questions, but it was SUCH a low turn-out they had to take all questions, good or bad. The first question was obviously a plant, from Harvey's good pal, actress-writer Julie Halston, who sat front and center. She basically said "Tell us ALL about A Catered Affair," which gave Harvey license to launch into a lengthy monologue. Actually, I was interested in hearing about the show's progress and it is based on one of my all-time favorite films.
My question was very simple: "Is the music any good? Is anything memorable?" and the question was of course, dodged. When I finally pressed for an answer, young producer Jordan Roth, wunderkind son of producer Daryl Roth, said something about this being John Bucchino's first effort for the stage, and "the songs being a vehicle for the emotions of the characters to come thru" blah blah, blah. In my experience, this is Broadway double-speak for "unmemorable score." But we shall see when previews begin in late March. I hope I'm wrong. I see EVERYTHING on Broadway and have for the past 20 years...it's one of the biggest problems with big Broadway musicals today...totally unmemorable musical score. You leave the theatre humming the scenery and costumes. It's a shame...it's so obvious....a MUSICal should first and foremost, have good MUSIC! That's why revivals are so popular...because older shows have better songs....standards in many cases.
Just remember the old Richard Rodgers comment: "I don't care what the critics say: if I leave the theatre and hear the audiences whistling my songs, I know I have a hit!"
EXACTLY!
As soon as I entered I ran into Pia Lindstrom, and across the empty room I saw Harvey Fierstein hanging up his coat. Pia, who always looks fabulous, is on the membership services committee at the Wing, along with Barbara Toy and others. She said the Wing is perceived by many young theatre people as being full of an older, moneyed crowd but that they want to do more outreach to the members, the Off Broadway community, and younger theatre-goers. Informal events with major theatre personalities like Fierstein is part of that outreach. No matter how often I meet celebrities such as Pia, I always remain calm and collected on the outside, but on the inside I'm screaming "OH MY GOD, YOU'RE INGRID BERGMAN'S DAUGHTER!!!!!!"
During the 5:30-6:30pm cocktail hour I chatted with legend Marian Seldes who grabbed me and hugged me after I told her I had seen her for years in everything since DEATHTRAP as well as theatre events and parties, but had been too intimidated to say anything because I didn't want to come off as a "silly fan." She looked at me with a piercing stare, smiled, hugged me and said: "Nonsense...now we are friends...and colleagues!" Such a lovely woman...and still the total pro as she turns 80 this coming August!
I was button-holed momentarily by an elderly queen I knew years ago (and he was boring then) who immediately tried to monopolize me and tell me about the last 20 years. Not meaning to be rude, I simply said "Arthur, darling, I have people to meet! We'll catch up later!" I chatted with a couple of actors and producers and one of them, a major name, said she lived at 88 Central Park West..."Oh," I said..." that's where Lorne Michaels, Sting and Celeste Holm live and didn't Robert DeNiro just move in there?"
"Oh my," she said, "You really know your stuff! Actually we're not supposed to talk about DeNiro being there...the co-op board has informed all tenants to ignore his presence. He abandoned Tri-Beca apparently for Central Park West! But interestingly, DeNiro gets his mail under an assumed name...just like Garbo used to! If a visitor asks the doorman for DeNiro, or if a delivery comes for DeNiro, the doorman is instructed to say he doesn't live there! Totally crazy! The building is full of celebrities and we don't pull that nonsense! Didn't Garbo pull that too?"
After cocktails, we went into the Q&A with Harvey Fierstein and even though the evening was officially called: "A conversation with Harvey Fierstein" they could have re-named it: Harvey Fierstein does non-stop promotion for his new show A Catered Affair. All he did was talk about the show and its journey from film to San Diego's Old Globe Theatre to Broadway. He mentioned Debbie Reynolds (the girl in the film) was present opening night in San Diego and gave the show her blessing.
It was obvious they were trying to control the questions, but it was SUCH a low turn-out they had to take all questions, good or bad. The first question was obviously a plant, from Harvey's good pal, actress-writer Julie Halston, who sat front and center. She basically said "Tell us ALL about A Catered Affair," which gave Harvey license to launch into a lengthy monologue. Actually, I was interested in hearing about the show's progress and it is based on one of my all-time favorite films.
My question was very simple: "Is the music any good? Is anything memorable?" and the question was of course, dodged. When I finally pressed for an answer, young producer Jordan Roth, wunderkind son of producer Daryl Roth, said something about this being John Bucchino's first effort for the stage, and "the songs being a vehicle for the emotions of the characters to come thru" blah blah, blah. In my experience, this is Broadway double-speak for "unmemorable score." But we shall see when previews begin in late March. I hope I'm wrong. I see EVERYTHING on Broadway and have for the past 20 years...it's one of the biggest problems with big Broadway musicals today...totally unmemorable musical score. You leave the theatre humming the scenery and costumes. It's a shame...it's so obvious....a MUSICal should first and foremost, have good MUSIC! That's why revivals are so popular...because older shows have better songs....standards in many cases.
Just remember the old Richard Rodgers comment: "I don't care what the critics say: if I leave the theatre and hear the audiences whistling my songs, I know I have a hit!"
EXACTLY!
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